2.6
伸手把門推開，穿過一層層的霧，可以到達彼岸。
那裡沒有文明痕跡，是徹底的自然。
植物按序生長，再美麗的花不為誰而盛開；
動物奔走的方向不可理喻，沒有誰為生命的短暫悲哀。
沒有藍圖的規劃，因此沒有多餘的部分。
時間對於不趕時間的東西來說毫無意義。
Pushing the door open, through layers of mist is the path to the other side of the world.
It is a world without trace of civilization. A world that is completely natural.
Plants grow freely; even the most beautiful flowers do not bloom for anyone.
Animals run in unpredictable directions, life is short but no one grieves over it.
Nothing is planned based on a blueprint, there is nothing as redundant.
Time becomes trivial when the need to rush is gone.
他有種說故事的本領，用影像帶你跟隨他的步調，以緩慢的節奏觀看生活中的不經意。鄧浩倫，香港攝影師，先後發表過攝影集《Maybe a sentence or something》（2013）、《Stairs》（2014）、《聽靜》（2016）。喜在不尋常的視角看待尋常景物，相比起充滿城市緊張感、呈現香港繁喧印象的攝影，他的作品是個異數。題材單一平淡，風格安靜內斂，但他認為「真正單調的，是我們看待生命的態度」。
He is a talented narrator; in an unhurried pace, you are led by visual images to watch the trivial matters of life. Published photobooks by the Hong Kong photography Ho Lun Tang include Maybe a sentence or something in 2013, Stairs in 2014 and Listen quietly in 2016. While most of the photography works tend to depict Hong Kong as a bustling and tense city, Tang is definitely a peculiar photographer who gazes at the usual objects from an unusual angle. He uses a modest attitude to document monotonous subjects in his photography, for he believes ‘what is truly monotonous is our approach to life.’
