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On The Road, We Have Secrets and Cigarettes.

《みつめ》by PIPI YAO

擁有多重身份的台灣的新生代演員姚愛寗(Pi Pi),能看到肉眼看不到的東西,並擁有一個「宇宙小姐」的Podcast,以聲音與大家一起踏上靈性學習的道路。這種靈性力量也反映在她的作品裡,尤其是當她拿起相機,按下快門的一刻。「我拍攝出來的東西比較有魔幻感,是對生命的探索,想要得到一些希望的力量在裡面。」有人說,相機是人類的第三隻眼睛,透過鏡頭拍下眼前的景象,我們會發現雙眼從未注意到的東西竟在相紙上顯影出來,並且永遠地被保存下來。由鏡頭前被凝視的演員,到走到鏡頭後凝視一切,姚愛寗以最純粹、平凡的姿態,拍下她所經歷的生活和眼前的世界,加上真誠的文字結集成書,記錄對生命的思索和體悟。

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「因為情感是真誠的,才會感到很赤裸吧。」

姚愛寗的攝影集名為《みつめ》,在日文裡有三隻眼的意思,加上發音與「見つめる」(凝視)相同,就像她邊整理邊凝視過去的十年光景,由它帶領找到一個總結。「最初構想攝影集時,編輯問我想這是一本怎樣的書。我覺得它可以是一本旅遊時想要隨身攜帶的書,隨時翻開都可以找到對應心情的文字。我們不一定會在旅途中一直拿來看,可是有那本書在,便會一直感到很安心。」於是,她把以往的日記從頭到尾翻出來看,邊整理邊凝視,「影像+日記」的攝影集就這樣誕生。

「在整理這些影像與文字時,我發現我由一個對生命很糾結,對離別和失去會陷入痛苦狀態的人,到後來找到可以豁達地看待這一切方式的人。以演員的角度來解決生命裡一切的發生,是在我整理書的期間整理出來的東西。過去,攝影對我來說更貼近記錄,開始拍照是因為我太害怕失去,很拼命地想借用攝影這個媒介去留下我愛的人和事物,尤其是以前最常拍攝的人是我的外婆。走到現在,攝影對我來說是一種創造,我可以更有生命力地創造我想要的畫面、情感和狀態。」

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早前在台北舉辦的同名攝影展覽,白色的牆上掛了在大大小小的照片,照片之間放了三張印上眼睛的畫布在不同的位置,喻意觀眾能透過這些眼睛凝視過去某些片刻的姚愛寗。「有些朋友或粉絲說,攝影集就像別人在看我的日記,問我會不會覺得很尷尬。我把這些東西再次翻出來,做成二次創作的時候,它好像變成了另外的形式,不像翻開我日記的樣子了。這是一個自我建構的過程,因為情感是真誠的,才會感到很赤裸吧。」

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「地獄不在他方,地獄在人心的惡意裡猖狂。美好也不在他方,美好在能夠擁有善意的心上。」

姚愛寗說到書中最有感覺的,是2014年6月24日寫下的這句話。

「不管是對應到這幾年整個世界的狀態,或是我自己產生的改變也好,從前大家都會覺得地獄在某個地方,像是死後的地方,或是做壞事後會去的地方。但是這幾年我體驗到的是,人類的內心有時候有很多黑暗的地方,那些自私、黑暗造成的世界才是真正的地獄。」那時候,她到了海邊閉關一段時間,跟很多石頭聊天。有一天,她看到海邊有很多很多的垃圾,她便想為什麼人類能一直做這些破壞大自然的事情,然後她便跟海邊一顆很大很大、能量很好的石頭聊起天來。「你們不生氣嗎?人類這樣亂丟垃圾、對待大自然和生命?」石頭回應說:「這僅是人類擁有的最小的惡意。」

「啊,聽完就覺得好像被刺了一刀。」在同一天,她看到了大象吃進鳳梨炸彈的新聞,氣得整個人在發抖,於是便寫下這句文字。「但是,我們是可以改變的,因為也有很多人是擁有善意的,只要擁有善意,這裡才會是天堂。」

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「現在沒有比好好地活在這個當下更重要。」

大學時期,姚愛寗在家中發現了父親的一台 Nikon FM2 底片相機,並帶著它持續地拍照。「底片相機更接近我想拍攝情感流動的感覺,我們無法在拍攝的一刻看到它顯影出來的狀態。我去送給沖洗底片的店時,沖洗的溫度,不同的藥水、或是由不同的人來沖洗,效果也有可能不同。我很喜歡底片攝影帶來的驚喜感和不確定性。」她說照片中的晃動、失焦、漏光的影像更接近她情感流動的方式,「我發現拍照不只是在記錄一件物件,記錄手中這根煙,這件外套,或是那個人站在那裡,而是拍下當下我跟這個人的關係,我跟這個場合的關係,當時的濕度、溫度,我們想留下來的是什麼。」

「如果要推薦一張相片給大家的話,我會想推薦本攝影集裡最後的一張照片。它是煙花在空中綻放的樣子。但它不是過份張揚、很華麗的綻放,它是小小的,盡力在空中綻放它最後的模樣。這張照片很接近當時的我,我忘了是在新年或是農曆新年的時候,我跟朋友住在一起,大家很開心,活在那個當下,一起經歷人生的每一刻。這煙花就像生命一樣,我們要盡力去體驗,把每一刻都燃燒到最後。」強調活在當下的姚愛寗,並沒有刻意去想像未來,把這個當下過好,去體驗和創造更多好玩的事情,那麼未來定會變得更有趣。「現在沒有比好好地活在這個當下更重要。」

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Being a multitalented new-generation actor from Taiwan, Pipi Yao  can see things that the naked eye cannot see and has been podcasting about spiritual learning under the name of Miss Universe. Her spiritual power is profoundly reflected in her work; particularly when she picks up the camera and presses the shutter. “My photography work is a bit mystical. My photos are an exploration of life , and I want them to be infused with the power of hope.” Some say that the camera lens is human beings’ third-eye; it doesn’t only capture what our bare eye can see, but also those details that we never pay attention to. With photography, time and space are forever preserved. While she is not acting, Pipi takes on the role as a photographer to capture her everyday life in the most direct and ordinary manner. Her photos are published alongside some of her writing, revealing her thoughts and apprehensions about life.

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“The emotion is so genuine that it makes you feel naked.”

Pipi’s photobook is called, Mitsume (みつめ), meaning “three eyes” in Japanese. The title also shares the same pronunciation with 见つめる, which means “gaze”. The book opens up a window for Pipi to gaze upon and reflect on her life in the past decade. “Way back when we first thought of doing a photobook, my editor asked me what kind of book I wanted it to be. Immediately I had the idea that it could be a book that people would want to bring along on a trip. They don’t necessarily have to read it all the time, but whenever they feel like flipping through it, they can find words within that help them reflect upon their thoughts and emotions and feel at ease.” To produce such a book, she went through her old journals, gazing and reflecting upon them. And in the end, a photobook that combines images and personal reflections was born.

“As I sorted out the images and texts, I realized that I have changed from being a person who is often confused and easily drowned in the pain of parting and loss to someone who is much more at ease with life. I’ve learnt that I need to deal with life from the perspective of an actor. In the past, photography served the purpose of recording life. I started taking pictures because I was too afraid of loss. I wanted to capture the people and things I love via photos, especially my grandmother whom I photographed the most back then. But right now, photography has turned into a form of creation for me; in which I can create the scenes, emotions, and moments of life I want in a more lively way.”

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A photo exhibition under the same title of Mitsume was recently held in Taipei. Hanging on the white walls were photographs of various sizes, and in between them, there were three canvases with numerous eyes printed on them. It is as if, through these eyes, one can take a glimpse of Pipi’s life. “Some of my friends and fans think that looking at my photobook is like reading my personal diary and asked if I felt uncomfortable because of that. But the thing is, the process of recreating has somehow transformed the diary into a different form. It’s not a diary anymore. This is a process of self-construction. I think it’s because the emotion is so genuine that it makes you feel naked.”

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“Hell is in nowhere but an evil, vicious mind. Beauty is in nowhere but a kind, gentle heart.”

Pipi has many thoughts on this particular sentence she wrote on 24 June 2014. “Everyone used to think that hell exists somewhere; maybe in the afterlife, or maybe in the place that one has to be because of the nasty things they did. With what has happened in the world these past few years, or maybe it’s just me who has changed, I now feel that the selfish and dark elements of human nature is where hell lies.” During that time, she was spending some time alone by the seaside and talking to a lot of stones and pebbles. One day, she saw a lot of rubbish on the seashore, and that started her thinking about how human beings have been destroying nature. She started talking to a very big stone nearby which seemingly had a lot of good energy, “Aren’t you mad about how human beings litter and ruin nature and life?” And the stone responded, “This is the least evil thing that human beings have done.”

“Ouch. It was as if I was stabbed.” On that same day, she read on the news that an elephant ate a pineapple containing firecrackers. It made her so furious that she shook with rage, and that’s how that sentence came about. “But we can change. There are many people with good hearts. As long as we have a good heart, this place can be heaven.”

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“Right now, there is nothing more important than living in the moment.”

Pipi found a Nikon FM2 film camera owned by her father when she was in college. Since then, she has been taking pictures with it everywhere. “The film camera can better capture the emotions in a way that I prefer. With a film camera we can never know the outcome when we press the shutter button until much later when the film is developed. And even when I bring the films for developing, the chemicals they use, the temperature in which the films are developed, and the person doing it; all of which make a difference to the final products. I like the surprises and uncertainty that film cameras bring.” She said that the blurry, out of focus images with light leaks are closest to her emotions. “I realized that photography is not merely about recording an object; whether it’s the cigarette or the coat in my hand, or the person standing over there. It’s about capturing the relationship between me and that person, that occasion. The humidity and temperature. And, what we want to leave behind.”

“If I had to recommend a photo, I’d pick the last image in this photobook. It captures fireworks blooming in the air; not too outrageous nor extravagant, but a small one that’s striving to put on its best show. This photo perfectly captures my state of mind at the time; I forgot whether it was during the New Year or Lunar New Year, but I was living with my friends back then, experiencing life together. Everyone was happy and living in the moment. This firework is like life — we have to try our best to live every moment of life to the fullest.” Pipi is someone who lives in the moment without worrying too much about the future. Live the present to the fullest, truly experience it, and create something fun out of it. The future will be more interesting that way. “Right now, there is nothing more important than living in the moment.”

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