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Recover People & Textile

Hul le Kes

「因為常規的大量生產行不通,我們現在找到了自己有效的升級改造方法,我們想再次在荷蘭生產,自80年代起我們就沒有再生產,當時所有生產設施都搬到了東歐和亞洲,這也意味著所有知識都消失了。Recovery Studio一開始都是被大家嘲笑,他們認為我們開設手工工作室是瘋了。」 Hul le Kes 的其中一位創辦人Sebastiaan憶述。

“Since the regular bulk production will not work, we now found our own efficient way of upcycling. We wanted to start up manufacturing in the Netherlands again, which we haven’t had anymore since the 80’s, at that time all production facilities were moved to Eastern Europe and Asia. That meant also all knowledge was gone. Recovery Studio was something everyone laughed at in the beginning, they thought we were crazy to start a handwork studio.” Sebastiaan, The co-founders of Hul le Kes, reminisced.

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Hul le Kes Recovery Studio 是一個修復人和織物的地方。

「有精神心理問題(如憂鬱、焦慮症)的人來到這裡重新適應工作氛圍,大多數人都來自於完全的孤立狀態,並在我們的工作室中一步一步地再次適應他人,慢慢建立起自信。開始時,他們不一定知道怎樣修補,甚至是怎樣手縫,他們會從學習基礎知識開始,在過程中他們會變得越來越好。

他們以手工修補織物和衣服,這類工作會因觸感和近乎冥想的狀態,刺激大腦中的快樂荷爾蒙,由於這些人都非常脆弱,所以我們不想給他們太大壓力;那當然有限期,我們會確保他們有足夠時間完成服務,但我們不會告訴他們確切的日期。」

「我們的工作室主管會確保按時完成任務和品質達到標準水平,我們有三名主管,他們都擁有手工和製作時裝的知識,同時也是社會工作者;然後,我們有大約 45 名員工按照各人的社會或醫療保健進程在工作室工作,有人每週只來 4 小時,有些則每週來 4 天,一切都取決於他們個人的發展狀況。」

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 Hul le Kes Recovery Studio is a place where both people and textiles are recovered to get back into society.

“People with mental and psychological problems (such as depression, anxiety disorder) come here to get used to a working atmosphere again. Most of them come from total isolation and follow a step by step program within our studio to get used to other people again and gain more self confidence. When a person starts a trajectory at the Recovery Studio they do not necessarily know how to mend or even stitch by hand. They start by learning the basics of mending, and during their program they will become better and better.

They repair textiles and clothes by hand; this type of work stimulates happiness hormones in your brain due to its tactility and almost meditative state of mind. As these people are very vulnerable we do not want to give them too much pressure. Of course there are deadlines, but we make sure they have more than enough time to finish a product in time and we do not tell them the exact deadline.”

“Our supervisors in the studio will make sure the deadlines are reached in time, they will also make sure the quality standards will be on the right level. We have three supervisors who all have knowledge from fashion making and handwork, but are at the same time social workers. Then we have about 45 people working at the Recovery Studio following a social and healthcare trajectory. In some cases a person only comes 4 hours a week, others come 4 days a week; that all depends on the status of their personal development.”

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「人們帶著心愛的衣物來尋求修補或染色服務,試想某人最喜歡的衣服撕裂了,或襯衫上有食物污漬,對我們的員工來說,賦予這些心愛的物品新的生命是值得的,但在一開始也會感到有點怯,當衣物的主人看到他們所付出的愛和努力總是十分感激。

他們將修補視為美好的回憶,並視為值得自豪的事,就正如人們看待自己身上的傷疤或紋身。 Sjaak 和我都感到非常高興,因為這正是我們希望他們感受到的,這就是我們所說的不完美之美,正是縫補賦予了衣物額外的個性,讓它真正屬於你。」

Hul le Kes Recovery Studio位於荷蘭阿納姆,靠近德國邊境的小城市,搭火車約一小時可到達阿姆斯特丹,或一小時可到達德國杜塞爾多夫。這是一個非常綠色的城市,擁有大量的自然景觀,工作室就位於一座前木材廠內,以前有鋸床的地方,現在可以找到縫紉機和手縫工人,工作室位於建築物的左側,而製作室就位於右側。在曾經是木材乾燥的閣樓,你會發現儲物室,充積了後消費的紡織廢料,如舊羊毛毯、床單等。

“People come to us with their beloved garments for a mending service or a dyeing service. Think of someone’s favorite dress with a tear in it, or a shirt with food stains. To our people it feels so worthy to give these beloved items a new life, but in some cases they also feel a little scared at first. But the people for whom they repaired the garment are always so thankful, and really see the amount of love and work they have put into it.

They see the mending as a good memory, as something they are proud of; like how people can look at a scar or a tattoo on their body for example. With that Sjaak and I are so happy, because that is exactly how we want them to feel. That is what we like to call the beauty of imperfection; it is the mending that gives the garment extra identity and makes it truly yours.”

Hul le Kes Recovery Studios are located in Arnhem, the Netherlands; a small city next to the German border. By train it is about one hour to Amsterdam, or one hour to Düsseldorf in Germany. It is a very green city with lots of nature which gives it a very comfortable atmosphere. Right outside the city center you will find our studios in a former wood mill, in a courtyard surrounded by housing. Where used to be the sewing machines you will now find our sewing machines and handworkers. On the left part of the building our Recovery Studio is located, and on the right our Manufacturing Studio. In what used to be the drying attic for wood you will find our storage; full with post-consumer textile waste such as old wool blankets, bedsheets and much more.

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「在工作室內,人員在古董和舊式家具中工作,我們真的很想給人們一種像家的感覺,我們認為周圍美麗的事物也會有助於從精神問題中恢復過來。」

“Inside of our Recovery Studio, you will find the people working at antique and vintage furniture. We really wanted to give the people a home-like feeling, and we think beautiful things in your surroundings help to recover from mental problems a lot too.”

「我和Sjaak創立 Hul le Kes 時,確信我們希望透過多種方式改變這個系統,而不只是成為另一個因使用環保布料而自稱可持續的品牌;我們希望致力於教育、社會、循環性、將服裝製造業帶回西歐,當然還有我們的美學。

Hul le Kes成為今天的樣子,是因為我們以就整體的方式運作,與主流時尚體系相比,這是一個非常複雜的過程。努力了四年,成就了一個可行的系統,我們可以向業內其他公司展示這是可能的;不僅個人注意到,其他時尚公司也注意到了,他們現在向我們尋求升級改造和修復方面的合作。

我們的口號之一:『讓我們一起改變系統』。  『一起』意味著個人購買我們的衣服或訂購我們的服務,同時與其他時尚公司的合作。」

“When Sjaak and I founded Hul le Kes, we were convinced that we wanted to change the system in many ways, rather than simply being another brand claiming to be sustainable based on the use of eco-friendly fabrics. We aimed to be committed to education, society, circularity, bringing clothing manufacturing back to Western Europe, and, of course, our aesthetics.

Hul le Kes is what it is today because we operate holistically, which is a very complicated process compared to the mainstream fashion system. Four years of hard work have resulted in a functional system that allows us to demonstrate to the rest of the industry that change is possible. We have not only captured the attention of  individuals, but also other fashion companies. They now approach us for collaboration on upcycling and repairing.

One of our slogans is ‘Let’s change the system together’. ‘Together’ encompasses individuals who purchase our clothes or use our services, as well as collaborations with other fashion companies.”

除了重染服務,Hel le Kes的升級改造 Monet 和 Cremer 夾克,是他們的銷售第一,這些夾克由古著羊毛毯製成,人們可以透過網店挑選毯子,或寄來自己的,他們就會將毯子製成個人訂製的夾克。同樣,這些夾克也是人們談論永續發展的好話題。

説到政府的新政策,Sebastiaan 說:「他們的意圖是非常好,但他們想要實現的方式仍然在很大程度上是從舊體制的思維方式出發,使得我們的開發遇上不必要的困難。

例如是他們將開始在荷蘭對公司生產的新衣服徵收額外的環境稅,二手產品就免徵增值稅,而維修服務就屬於增值稅最低的類別;但升級回收的衣服就不適合這些框架,因為政府視它們為新衣服,徵收高額增值稅和附加環境稅。

這很奇怪,因為我們使用的材料都是二手的,而該產品一開始就已經收取了增值稅; 我認為政府至少可以做的就是將升級回收納入與維修相同的類別,從而以最低的增值稅額並跳過環境稅,這樣新衣服會比升級衣服更貴,讓消費者更有興趣購買升級改造的衣服而不是新衣服。

幸運的是,荷蘭政界已經注意到我們,並且非常願意傾聽我們的意見,所以我們正朝著正確的方向前進。」

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Instead of dyeing service, Hel le Kes’s upcycled Monet and Cremer Jackets are their number one sellers. These jackets are made from vintage wool blankets. People can pick a blanket via the webshop, or send their own blanket, and they will make your personal, made to order, jacket from it. Again also these jackets are a good conversation piece for people to talk about sustainability.

When it comes to new policies by the government, Sebastiaan said, “Their intentions are very good, but the way they want to do so is still very much thought from an old-system mindset. That makes it in some ways unnecessarily difficult for us to develop what we want.

For example they will start to charge extra environmental taxes in the Netherlands on all new clothes a company produces. But second hand products are most often free of VAT (because VAT was already charged with its first purchase when the product was still new). Repair services are in the lowest VAT category. Upcycled clothes do not fit in any of these boxes, and therefore the government sees them as new clothes; charging the high VAT category and additional environmental taxes.

Which is very strange as the materials we use are thrown away, second hand; and VAT was already charged at this product in the very beginning. But the government sees it as a full new product. I think the least that the government could do is make upcycling in the same category as repair, so in the lowest amount of VAT and skip the environmental taxes. By doing so a new garment will be more expensive compared to an upcycled garment; making it much more interesting for consumers to buy upcycled clothes instead of a new garment.

But luckily for us the Dutch politicians have noticed us, and are very much willing to listen to us; so we are going in the right direction.”

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